Showing posts with label Necklace. Show all posts
Showing posts with label Necklace. Show all posts

Raven Jewelry - New Pendant!

What is it about Ravens and Crows I find so captivating?  To tell the truth, I didn't even realize how many of my designs were based upon the Raven until a customer pointed it out to me at an art fair!  I had Raven paintings, Raven sculptures, and Raven jewelry all around me!  Okay.  So I like them.  Something about their group intellect appeals to me - it's fascinating!

 My Raven Ring has been so well-received, that I was inspired to adapt the design to a pendant, presented to you here.  I strung this one on a very simple black leather cord, with an adjustable knot that allows you to change the length it hangs, although many chains & neckwires will fit through the sculpted bail on the back.
 Raven Pendant - approx 43 mm long

As with the Raven Ring, this pendant is crafted in sterling silver, with black onyx eyes.  The price of silver has been climbing steadily, but currently this piece sells for $225.  Call me personally at the studio to place an order for one: (505) 296-1400  ~OR~ email me at David (at) StewartArt.com  (Don't include your credit card numbers in the email ... it's not safe!)   I'll start on yours right away!

DESIGN, PHOTO AND TEXT © DAVID LLOYD STEWART - ALL RIGHTS RESERVED

Jewelry Art: Moon Castle

This is actually an illustration of a piece I proposed to make. I made a close approximation of it many years ago, and titled it Fortress of the Heart. It was sold to a wonderful lady named Lilly Lawrence, world renowned beauty and Malibu philanthropist. Lilly was dubbed "The People's Princess" by New York Newsday and the "Rose of Shiraz" by the New York Times.

She lived in a castle - the only one in Malibu - called Castle Kashan. Unfortunately, in the fires that swept through Malibu a couple of years ago, she lost everything, including her treasured castle necklace. Luckily, she wasn't hurt, but many wonderful artworks and treasured memories were lost in the flames.

For some reason, I've been unable to locate photos of that original piece, but reconstructed it to the best of my recollection in this proposal. One day soon, I hope to make it for her. In the original, I painted a miniature painting of the courtyard scene tucked away behind the drawbridge ... but in the remake, I think I'll feature a miniature portrait of Lilly in her gown. This was originally made as a variation on the first piece in this small series, titled "Ivory Tower" shown elsewhere in this blog.

DESIGN, PHOTO AND TEXT © DAVID LLOYD STEWART - ALL RIGHTS RESERVED

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Jewelry art: Collar Choker


I've done quite a few variations on this choker over the years. This one shows three stones - green turquoise, spiderweb chalcosiderite (once called "New Landers"), and blue turquoise - but I've also made it with one large stone, or with a small stone stacked on a larger stone, or with a laminated mosaic stone.
I find asymmetry in design to be much more captivating than symmetry. This one has a unique hanging system as well: Either of the two hooks on the sides will come undone to release the choker, and a small "S" hook in the back can gather up a length of chain to shorten it, making its hanging length adjustable.

If you have a preference for stones, contact me - we'll discuss prices and delivery time! You can reach me at the studio at (505) 296-1400, or email me at David (at) StewartArt (dot) com.

DESIGN, PHOTO AND TEXT © DAVID LLOYD STEWART - ALL RIGHTS RESERVED

Jewelry Art: "Ivory Tower" pendant

"Ivory Tower"
click image to enlarge

This piece from my archives, completed many years ago, was almost 5 inches tall. I don't know what originally gave me the idea that hanging a building around your neck would be good jewelry design, but this was the second successful effort in that vein. The first one, titled "the Castle", was one of the very first large-scale ambitious pieces I ever made. This variation is more refined than the first, because I developed wax-carving skills by the time I designed the Ivory Tower - the Castle was handwrought, using different techniques.

This piece is done in sterling silver with 14K gold accents. The towers are made of old ivory, inlaid with fossil walrus ivory bricks. The large lower stones are Fire Agates - these are a form of chalcedony with an interior color-play similar to opal ... but fire agates are found only in Mexico and Arizona! They are tricky stones to cut, to reveal the fire within. The "moat" is inlaid with Afghani Lapis Lazuli, and the leaves on the side are made of malachite and faustite laminated together.

The tiny little door is hinged on the bottom like a drawbridge, and when it is open, it reveals a miniature painting on a tiny linen canvas stretched over wood. The door itself is made from Brazilian Cocobolo, a variety of rosewood, and is framed in gold, with a tiny clasp to keep it closed and a little chain to support it when open. The painting is of a little knight in armor, with a heart on his shield - the Guardian of the wearer's heart!

A third piece on this theme was also designed, with predominantly turquoise inlaid towers, called Fortress of the Heart, that was sold to Lilly Lawrence, the People's Princess. It featured the same tower layout, with even more complex inlay in the bottom stones, and another painting of the courtyard scene behind the door.

A piece of this complexity would be $25,000 - 30,000 today .... much more if it were solid gold. Call me at the studio (505) 296-1400) if you would like me to make a fortress for your heart!

DESIGN, PHOTO AND TEXT © DAVID LLOYD STEWART - ALL RIGHTS RESERVED

Jewelry Art: Bird in Flight torque ~ Fancy version

Some pieces of jewelry are actually miniature sculptures, and can even stand alone. In the past, these were often called "cabinet jewelry", and while it was meant to be a somewhat derogatory term that implied it was hard to wear, I have enjoyed making a few pieces like that in the past. But then once in a while, on the other hand, a truly successful artwork in the medium of jewelry surfaces - one that forms a symbiosis with its wearer. Such a piece is actually not complete until it is WORN. Seen by itself, it just sits there - but once it is put on, it literally comes to life. This necklace, titled "Bird in Flight" is just such a piece!
"Bird in Flight" (fancy)
click image to enlarge

It is called a "torque" necklace, because it relies on the torque or springiness of the silver neckwire to hold its shape. The silver is hand-hammered on a polished anvil with polished hammers, not only to shape it, but to impart the "memory" of its graceful shape that clings to the nape of the neck. The position that it naturally comes to rest is actually on the SHOULDERS, not the back of the neck! Thus, its wearer is allowed total freedom of movement without feeling any sort of binding on the neck.

This position results in something remarkable happening that makes it an incredibly flattering piece to wear: First, it exposes the beautiful curve at the base of the neck, where the neck swoops into the shoulders (one of the most beautiful lines on a woman's body).... and, secondly, because the necklace is open on the front, there are no horizontal lines across the front of her throat, so the full sweep of the neck is visible in the front! Perhaps my most flattering piece when worn. The neat thing, though, is that the neckwire is wide enough so that it can be worn on a turtleneck, too.

Although the overall design remains the same, each one is handmade in different combinations of amethysts, freshwater pearls and decorative accents that makes it unique. Yours will be different in details than the one pictured here, but the overall "look" will be the same.

The "wing" surface is cast from a torch-textured silver piece (in a process called "reticulation"), that emphasizes a rich, furrowed texture that contrasts nicely with the polished silver framework. This textured surface is patinated by a process that involves careful application of a chemical oxidizer that colors the metal dark grey, and then selectively removing it on the high spots so the bright silver shows through.

This piece currently goes for $1600 in the fancy version shown here, with amethyst and freshwater pearls...but I also make it as a plain silver version (here, and photo above). Check out the earrings I designed to go with it (also to be posted soon!)

I'll have a shopping cart set up soon, but meanwhile just call me personally at the studio to order one: (505) 296-1400, or Email me at: David@StewartArt.com - I'll be in touch!

DESIGN, PHOTO AND TEXT © DAVID LLOYD STEWART - ALL RIGHTS RESERVED

Jewelry Art: "Mokume Necklace"

"Mokume Pendant"
click image to enlarge
Here's another one from my archives. The term Mokume-Gane is Japanese for wood grain, and it refers to the pattern in the metal "wings" on this piece, which sort of look like the swirls in burled wood. It's a meticulous process that involves layering different metals like copper, brass, silver & gold in many alternating layers. When the back is hammered, and then the rough spots filed off on the front, the pattern is revealed.

Mokume detail
The central part of the pendant is carved ebony, inlaid with a piece of old ivory. The main stone on top of the ivory is a Fire Agate, set in a bezel encrusted with gold chunks. The smaller stone is a piece of sugilite, accented with a gold drop. The little green stone on the one wing is Faustite. The wings on the side are set on forged silver wire, connected to a woven black leather cord with silver sleeves accenting it.

This was a one-of-a-kind piece that went to one of my collectors in San Diego. Something with a similar "feel" could be done for you - call me at the studio, (505) 296-1400, to discuss the details and price (somewhere around $3600).

DESIGN, PHOTO AND TEXT © DAVID LLOYD STEWART - ALL RIGHTS RESERVED

Jewelry Art: "Wind Spirit" pendant

This Sterling Silver pendant is titled, "Wind Spirit". The inspiration, of course, is a feather which presents unlimited opportunity for drama in design, but I personified the theme by adding a little face to the piece in carved bamboo coral inlaid with 18K gold eyes. What better to represent the spirit of the wind than a feather?
click image to enlarge
The stones I used in the body are: (starting at the top right and going clockwise),
-turquoise
-gold-lipped clam shell, inlaid with a faceted amethyst set in a gold bezel
-sugilite
-simulated lab-grown opal
-black onyx
-faustite
-sugilite
-turquoise
-gold-lipped clam shell
-blue simulated opal
-Wyoming black jade
-black onyx
-chatoyant obsidian
-coral
-Russian charoite
-simulated opal
-turquoise
-black-lipped clam shell
-sugilite
-pink mussel shell
-spiderweb chalcosiderite

I handmade the bail in back of the piece as a hinged "enhancer" bail that opens and snaps closed (see my bursting pearls pendant for an example). This enables you to wear the pendant on pearls or beads, as well as a chain or neckwire. (The Byzantine chain shown is available for an additional charge). The pendant measures 4 3/4 inches tall from top to bottom, and makes quite a statement when worn. UPDATE: Wind Spirit has been SOLD... A similar piece can be made just for you, with a slightly different stone arrangement (Each one in inlaid by hand, as a separate composition, so the colors will vary considerably). Currently priced at $2800, but in today's volatile market, I might have to adjust it slightly when I make yours!
Call me at the studio (505) 296-1400 to arrange that, or email me at David @ StewartArt. com to order one custom-made for yourself or someone you love.
DESIGN, PHOTO AND TEXT © DAVID LLOYD STEWART - ALL RIGHTS RESERVED

Jewelry Art: Bursting Pearls Pin/ Pendant

This combination pin/ pendant is titled Bursting Pearls, because I made it so that the pearls appear to be bursting out of the background, as if emerging from volcanic fields. I generally use baroque freshwater pearls with a sort of pinkish hue, to contrast nicely with the frosty silver textured background.
click image to enlarge
The texture was achieved in the original handwrought master by a process called reticulation - a meticulous process using the torch to wrinkle the surface by bringing it close to the melting point. This cast silver piece was then treated by heating it red-hot and quenching it in acid over & over again - this dissolves the copper out of the sterling alloy, leaving pristine pure silver on the surface. The effect achieved is unlike any other process I know of, and forms a pearlescent beautiful white silver color that contrasts wonderfully with the polished "rails" that run along the sides.

If you look at the back of the piece, you can see the secret to its versatility: it's not just a pin, but it also has a hand-crafted "enhancer" bail that opens & snaps closed. It's pictured on a snake chain here (not included), but that bail enables you to wear it on liquid silver necklaces, pearl strands, beads, or neckwires as well! Really versatile. The current price on this pin/ pendant is $355, but with the price of precious metals being so volatile, check with me to see if any price adjustments have to be made. Shipping generally runs about $10, unless you have a special request like overnight or out-of-country.
Call me at the studio at (505) 296-1400 to place your order.
DESIGN, PHOTO AND TEXT © DAVID LLOYD STEWART - ALL RIGHTS RESERVED

Jewelry Art: Bird in Flight necklace

Some pieces of jewelry are actually miniature sculptures, and can even stand alone. In the past, these were often called "cabinet jewelry", and while it was meant to be a somewhat derogatory term that implied it was hard to wear, I have enjoyed making a few pieces like that in the past. But then once in a while, on the other hand, a truly successful artwork in the medium of jewelry surfaces - one that forms a symbiosis with its wearer. Such a piece is actually not complete until it is WORN. Seen by itself, it just sits there - but once it is put on, it literally comes to life. This necklace, titled "Bird in Flight" is just such a piece!

It is called a "torque" necklace, because it relies on the torque or springiness of the silver neckwire to hold its shape. The silver is hand-hammered on a polished anvil with polished hammers, not only to shape it, but to impart the "memory" of its graceful shape that clings to the nape of the neck. The position that it naturally comes to rest is actually on the SHOULDERS, not the back of the neck! Thus, its wearer is allowed total freedom of movement without feeling any sort of binding on the neck.

This position results in something remarkable happening that makes it an incredibly flattering piece to wear: First, it exposes the beautiful curve at the base of the neck, where the neck swoops into the shoulders (one of the most beautiful lines on a woman's body).... and, secondly, because the necklace is open on the front, there are no horizontal lines across the front of her throat, so the full sweep of the neck is visible in the front! Perhaps my most flattering piece when worn. The neat thing, though, is that the neckwire is wide enough so that it can be worn on a turtleneck, too.
The "wing" surface is cast from a torch-textured silver piece (in a process called "reticulation"), that emphasizes a rich, furrowed texture that contrasts nicely with the polished silver framework. This textured surface is meticulously hand-finished by a process that involves heating it to red-hot heat and quenching it in acid. This process is repeated over & over, until the silver is a pure crystalline-white color that reflects light in a unique way that can't be achieved any other way.

This piece currently goes for $450 in the silver version shown here, and I also make it as a fancier version (posted here) with Amethyst and Freshwater pearls, as well as Gold versions (gold vermeil or solid 14K). Check out the earrings I designed to go with it (to be posted soon!)
...Just call me personally at the studio to order one:
(505) 296-1400,
or Email me at: David@StewartArt.com - I'll be in touch!
DESIGN, PHOTO AND TEXT © DAVID LLOYD STEWART - ALL RIGHTS RESERVED

Jewelry Art: Jonah


"Jonah": 14K gold pendant (click to enlarge)

"Jonah", a whimsical pendant in handwrought 14K gold, is inlaid with carved OLD ivory. The stomach is ebony, and Jonah is carved turquoise with an opal face. The whale's spout forms the bail, shown on old ivory beads, but would display well on a strand of pearls, too. The ocean waves are flush-inlaid royal blue Lapis Lazuli.
This one was SOLD some time ago, but I can make you a variation for about $2,800. (Note: Because ivory is restricted nowadays, I would probably use Fossil Walrus ivory instead)
DESIGN, PHOTO AND TEXT © DAVID LLOYD STEWART - ALL RIGHTS RESERVED

Jewelry Art: Eye of Ra

"Eye of Ra" -(pendant: Click to enlarge)
"Eye of Ra" is another handwrought gold pendant with sugilite inlay, and a triangular amethyst; but this one is accented with 2 diamonds and a freshwater pearl. It hangs from a sugilite necklace with gold bead accents. The really different thing about the inlay on this pendant - though it doesn't really show up well in the photo - is that the sugilite pieces on the bottom are cut in little tablet shapes that overlay one another, almost like scales or shingles in three "courses", or layers. This was a totally original thought, and not one I had seen before. This one is SOLD, but a variation on this theme could be made for you, for about $5,500)
DESIGN, PHOTO AND TEXT © DAVID LLOYD STEWART - ALL RIGHTS RESERVED

Jewelry Art: Sylvanspell


"Sylvanspell" (click to enlarge)

Possibly the largest necklace I've ever made, titled "Sylvan Spell". This was a combination of one-of-a-kind casting & handwrought components in Sterling Silver & 14K gold, inlaid with a variety of stones. Each leaf is actually 2 stones cut together in aesthetic combinations of color: turquoise & tigereye, faustite & malachite, etc. The large stone at the bottom is a huge green turquoise nugget, overlaid with smaller turqoise stones forming a path leading up to the door, which is made of cocobolo wood set in gold. It opens up to reveal a tiny painting on a miniature linen canvas of the interior - including a little cat sitting on a rocking chair by the wee fireplace (inset). Each sprig of 3 or 4 leaves is a seperate link in the "chain" that supports the tree. Rather than hang such a heavy necklace on a chain, I designed a silver yoke to bear the weight comfortably. This piece SOLD for $13,500, but a similar necklace would be considerably more today.
DESIGN, PHOTO AND TEXT © DAVID LLOYD STEWART - ALL RIGHTS RESERVED

Jewelry Art: Pharaoh's Phyre



"Pharoah's Phyre"
(click image to enlarge)
This piece is a necklace titled "Pharaoh's Phyre". It's handwrought in 14K gold, and inlaid with purple African sugilite. The pendant is set with an amethyst as the main stone, with a Rhodolite garnet, another small amethyst, and a couple of diamonds accenting the textured goldwork. It hangs on a necklace of hand-ground sugilite beads, accented with gold beads and a single yellow pearl. ( This piece is SOLD, but a similar one could be made for about $6,500 )
DESIGN, PHOTO AND TEXT © DAVID LLOYD STEWART - ALL RIGHTS RESERVED